Four stacked mattresses formed the starting point for Yuhan Wang’s runway, with the opening model emerging from them before beginning a slow, dreamlike walk. The setting immediately established the collection’s hazy, half-awake mood. Wang described it as an exploration of “the strangeness to the moments before sleep,” using the intimate world of boudoir dressing as a foundation for surreal and slightly unsettling twists.

The designer took familiar bedroom silhouettes and disrupted them with playful details. Dresses were designed to resemble open bureau drawers, spilling layers of underwear onto the body. A cherry-print mini slip with a fluttering skirt was paired with a model casually examining her reflection in a hand mirror. An off-the-shoulder lace-trimmed camisole featured deliberately distorted corsetry, while a satin blouse and matching skirt were accessorized with a cup and saucer tied around the waist, the crockery softly clinking with every step.

Everyday objects from the bedside table—compacts, combs and other nighttime essentials—were transformed into unexpected accessories, blurring the line between dressing and the private rituals of bedtime.

As the show progressed, the distortions became more pronounced. Padding at one shoulder and the opposite hip pushed a black lace slip into an intentionally uneven silhouette, while a baby-blue lace nightgown featured exaggerated panniers that appeared to shift the hips out of place.

The result was a collection that balanced recognizable boudoir elegance with surreal disruption. Dreamy, playful and slightly strange, Wang transformed the familiar language of sleepwear into a hazy vision of dressing somewhere between drifting off and waking up.