However, Georges Hobeika’s approach to the Spring/Summer 2026 season was one of “restrained romanticism,” with soft and structure coming together in quiet harmony. The palette of blush, ivory, champagne, and muted rose hues created an ethereal backdrop for the show, which was distinctly couture but with a refreshingly modern feel. The first look was a sculpted satin gown with architectural draping, and it was clear that Hobeika was prioritizing silhouette and refinement of surface interest over excess for the season.
Embellishment was evident but was kept to a subtle level. Intricate hand-embroidery was evident but didn’t overpower the garments; it simply added interest to the sheer tulle overlays. Several of the column gowns boasted delicate floral motifs that seemed to float across the surface of the fabric with the precision of paint.The craftsmanship of Hobeika was particularly evident in the corsetry, which was incorporated seamlessly under layers of diaphanous fabric to give the illusion of fluidity and movement while maintaining the discipline of couture.
The show was well-paced and composed. The change between each outfit was smooth and seamless, and the overall message was one of femininity and confidence. Highlights of the show included a beautiful ball gown in pale gold with layers of petal-like tulle and a crisp ivory suit with crystal embellishments on the lapel. While the show was heavily invested in romance and femininity, its strength was its juxtaposition of delicacy and structure.
Overall, Hobeika’s show was one of mastery and reassurance of his place in refined glamour. While it may not have been as showy and over-the-top as some of its competitors within the world of couture, it was confident and elegant.
Georges Hobeika – Spring/Summer 2026
