Mr. Armani, as he is usually graciously identified as, is widely recognized for integrating seasonal clichés while never departing from his essential ideals. This is one of his many notable accomplishments. If you were to close your eyes and think of Giorgio Armani, the first thing that would spring to mind would undoubtedly be the vision of long, attenuated lines, tailoring, and a feeling of restrained glamour—something that hints at old Hollywood silver screen—that makes individuals shine.

All of these things were true once again when he presented his couture customers with flowers for the autumn season. He offered roses, sequined roses, three-dimensional chiffon roses, and conceptual roses. Armani’s handling of them was not haphazard in the sense of operatic haute couture; rather, it was nurtured gradually, tailored to each appearance and the variety of personalities that were encompassed within his scope of fashion.

They emerged in the form of a lacquered garland on a skirt that was combined with a black velvet jacket that had a scrolled foliate neckline that revealed a crimson satin lining. They were put to use in a black velvet column with a magnificent scooped back that was crisscrossed by minute rose-studded rouleau straps. This was done in the service of simplicity. At one point, there were delicate embroidery designs on translucent gowns, while at other times, there were shapes that were completely covered in vivid red sequins. Sometimes the red colour wasn’t even present. Because there must always be time and room for Armani tuxedo tailoring amid the dresses, the roses were only portrayed symbolically in the buttonholes. These buttonholes were pearlized so that they would blend in with the large easy-to-wear jackets.

There was thunderous cheering when he stepped out to the stage to take his bow. Mr. Armani, a living icon, will be celebrating his 89th birthday on July 11 of next week. He has been a fashion designer for more than seven decades.

The Collection